What is a Giclee?

A Giclee is a high resolution digital print made of an archival ink and media combination.
This type of art reproduction is quickly becoming the new standard in the art industry, and is widely embraced for its quality by major museums, galleries, publishers, and artists.
The word giclee itself is French, and means spray, in this case meaning, spray of ink. From hundreds of inkjets, more than a million droplets of ink per second are sprayed on canvas or watercolor paper. Once completed, an image is comprised of almost 20 billion droplets of ink.
The resulting print has no perceptible dot pattern, an endless array of richly saturated color, and every nuance of the original image. The most archival, water based lightfast inks available in the world are used. The latest inks offer at least 70-years of light-fastness and UV-resistance under museum archival conditions.

A Giclee Print is simply the closest duplication of the original artwork that is humanly, mechanically, or technically possible

About Giclee Printing

The Definition: Giclee (zhee-klay) - The French word "giclée" is a feminine noun that means a spray or a spurt of liquid. The word may have been derived from the French verb "gicler" meaning "to squirt".

The Term: The term "giclee print" connotes an elevation in printmaking technology. Images are generated from high resolution digital scans and printed with archival quality inks onto various substrates including canvas, fine art, and photo-base paper. The giclee printing process provides better color accuracy than other means of reproduction.

The Process: Giclee prints are created typically using professional 8-Color to 12-Color ink-jet printers. Among the manufacturers of these printers are vanguards such as Epson, MacDermid Colorspan, & Hewlett-Packard. These modern technology printers are capable of producing incredibly detailed prints for both the fine art and photographic markets. Giclee prints are sometimes mistakenly referred to as Iris prints, which are 4-Color ink-jet prints from a printer pioneered in the late 1970s by Iris Graphics.

The Advantages: Giclee prints are advantageous to artists who do not find it feasible to mass produce their work, but want to reproduce their art as needed, or on-demand. Once an image is digitally archived, additional reproductions can be made with minimal effort and reasonable cost. The prohibitive up-front cost of mass production for an edition is eliminated. Archived files will not deteriorate in quality as negatives and film inherently do. Another tremendous advantage of giclee printing is that digital images can be reproduced to almost any size and onto various media, giving the artist the ability to customize prints for a specific client.

The Quality: The quality of the giclee print rivals traditional silver-halide and gelatin printing processes and is commonly found in museums, art galleries, and photographic galleries.

The Market: Numerous examples of giclee prints can be found in New York City at the Metropolitan Museum, the Museum of Modern Art, and the Chelsea Galleries. Recent auctions of giclee prints have fetched $10,800 for Annie Leibovitz, $9,600 for Chuck Close, and $22,800 for Wolfgang Tillmans (April 23/24 2004, Photographs, New York, Phillips de Pury & Company.)

Digital Pigment Print Definition
The term "pigment print" is used generally for any type of printed image that uses strictly pigments. Pigment printing processes have been utilized since the middle of the 19th century. The image stability of pigment printing is superior to that of any other method of printing, including traditional silver-halide or metal-based.

Digital inkjet printing has seen a surge in the use of the pigment ink as ink sets have been refined to be compatible with the latest in high-resolution inkjet technology.

Where archival dye-based ink sets exhibit excellent color gamut, pigment inks excel in permanence. A dye is molecularly soluble in its vehicle, but pigment is not. Pigment particles tend to be large enough to embed into the receiving substrate making them water-resistant. The particulate nature of pigment inks ensures their archival superiority. A particle of pigment is less susceptible to destructive environmental elements than a dye molecule.
Many digital papers have coatings which enhance color gamut. However, these delicate coatings are susceptible to scuffing and scratching, and diminish the archival properties of the print. Prints made with coated substrates are not considered true digital pigment prints.